what 1950s horror movies can tell us about America's coldhearted drug policies
by Ballard Quass, the Drug War Philosopher
December 23, 2024
watched one of those B horror movies from the 1950s last night. It was called "She Devil" and concerned a poor but attractive young lady who was suffering from an apparently incurable case of tuberculosis. An ambitious doctor gets wind of the case and submits the patient to a new untested drug treatment, with the reluctant help of his more cautious and elderly advisor and mentor. The drug restores the woman's health but has the unintended side effect of changing her erstwhile meek disposition into that of a heartless egoist, one determined to have her way in life no matter what.
After noticing the change, the worried mentor asks his protege if the drug he had created could have affected the lady's personality:
"Do you suppose it could be the serum, that it produced an emotional as well as a physical change in her?"
Without missing a beat, the ambitious protege responds:
"I wouldn't know about that. As a biochemist, I don't deal with the emotions."
He is so self-satisfied and glib as he makes this pronouncement that a modern viewer wants to smack him right in the puss.
A modern biochemist might not be so frank as this B-movie scientist, but Behaviorism is still the order of the day in academia, even if it goes by other names. The drug researcher doesn't care about obvious emotions. Otherwise they would see at a glance that the strategic use of drugs like coca, opium and psychedelics could work wonders, and not just for the depressed and anxious but for those seeking help in achieving spiritual states and self-understanding and/or writing exotic prose and poetry. They cannot see this obvious fact because they believe that to be scientific, they have to ignore obvious emotions and look at brain chemistry instead under a microscope. Anecdote and historical usage mean nothing to them.
These drugs have inspired entire religions but that means nothing to today's scientists. They have accepted the anti-scientific Drug Warrior premise that a drug that can be misused, even in theory, by young American white people must not be used by anyone, anywhere, ever, that we are just too dumb to ever learn to use drugs wisely. These are the same people who insist that we can use guns wisely and that free climbing a sheer cliff face is a reasonable activity, as is driving a car, the same people who sign off on liquor and Jim Beam commercials for young adults, the same people who let Big Pharma advertise "meds" for which the recognized side effects include death itself.
Drug researchers today may be the smartest and nicest people in the world -- but they are forced to play dumb and be cold-hearted thanks to their adherence to the mendacious dogma of today's know-nothing and anti-scientific Drug Warriors.
Drug War Movies
Hollywood supports the war on drugs by refusing to show wise use while always depicting drug use in the worst possible light. Like all media, they refuse to show beneficial use -- and if they're not depicting drugs as dangerous dead-ends, they're at least showing use to be frivolous and dangerous. The producers kowtow to drug warrior sensibilities.
There's more than set and setting: there's fundamental beliefs about the meaning of life and about why mother nature herself is full of psychoactive substances. Tribal peoples associate some drugs with actual sentient entities -- that is far beyond "set and setting."
We don't need people to get "clean." We need people to start living a fulfilling life. The two things are different.
In the 19th century, poets got together to use opium "in a series of magnificent quarterly carouses" (as per author Richard Middleton). When we outlaw drugs, we outlaw free expression.
The 1932 movie "Scarface" starts with on-screen text calling for a crackdown on armed gangs in America. There is no mention of the fact that a decade's worth of Prohibition had created those gangs in the first place.
The DEA should be put on trial for crimes against humanity for withholding godsend medicine from the depressed. Here is just one typical drug-user report that appeared in "Pihkal": "A glimpse of what true heaven is supposed to feel like..."
I'm grateful to the folks who are coming out of the woodwork at the last minute to deface their own properties with "Trump 2024" signs. Now I'll know who to thank should Trump get elected and sell us out to Putin.
Even when laudanum was legal in the UK, pharmacists were serving as moral adjudicators, deciding for whom they should fill such prescriptions. That's not a pharmacist's role. We need an ABC-like set-up in which the cashier does not pry into my motives for buying a substance.
Until we legalize ALL psychoactive drugs, there will be no such thing as an addiction expert. In the meantime, it's insulting to be told by neuroscience that I'm an addictive type. It's pathologizing my just indignation at psychiatry's niggardly pharmacopoeia.
The drug war has created a whole film genre with the same tired plots: drug-dealing scumbags and their dupes being put in their place by the white Anglo-Saxon establishment, which has nothing but contempt for altered states.
We have a low tolerance for the downsides of drug use only. We are fine with high risk levels for any other activity on earth. If drug warriors were serious about saving lives, they'd outlaw guns, free flying, free diving, and all pleasure trips to Mars.
Buy the Drug War Comic Book by the Drug War Philosopher Brian Quass, featuring 150 hilarious op-ed pics about America's disgraceful war on Americans
You have been reading an article entitled, She Devils and Substance Prohibition: what 1950s horror movies can tell us about America's coldhearted drug policies, published on December 23, 2024 on AbolishTheDEA.com. For more information about America's disgraceful drug war, which is anti-patient, anti-minority, anti-scientific, anti-mother nature, imperialistic, the establishment of the Christian Science religion, a violation of the natural law upon which America was founded, and a childish and counterproductive way of looking at the world, one which causes all of the problems that it purports to solve, and then some, visit the drug war philosopher, at abolishTheDEA.com. (philosopher's bio; go to top of this page)
watched one of those B horror movies from the 1950s last night. It was called "She Devil" and concerned a poor but attractive young lady who was suffering from an apparently incurable case of tuberculosis. An ambitious doctor gets wind of the case and submits the patient to a new untested drug treatment, with the reluctant help of his more cautious and elderly advisor and mentor. The drug restores the woman's health but has the unintended side effect of changing her erstwhile meek disposition into that of a heartless egoist, one determined to have her way in life no matter what.
You have been reading an article entitled, She Devils and Substance Prohibition: what 1950s horror movies can tell us about America's coldhearted drug policies, published on December 23, 2024 on AbolishTheDEA.com. For more information about America's disgraceful drug war, which is anti-patient, anti-minority, anti-scientific, anti-mother nature, imperialistic, the establishment of the Christian Science religion, a violation of the natural law upon which America was founded, and a childish and counterproductive way of looking at the world, one which causes all of the problems that it purports to solve, and then some, visit the drug war philosopher, at abolishTheDEA.com. (philosopher's bio; go to top of this page)
