ollywood owes Richard Nixon a posthumous Oscar. If the 37th president of the United States had not launched a paramilitary crackdown on the use of naturally-occurring substances in the early '70s, we would have no movies like the following:
American Gangster, Asian Connection, Bobby Z, Clockers, Cocaine Cowboys, Empire, L.A. Wars, Marked for Death, Scarface, Rush, etc. etc. - just add the "bullet-riddled" movie of your choice, especially those that focus on South American "scumbags" and their American nemeses, namely, those no-nonsense cops who openly laugh at the whole idea of due process and the other high-falutin legal protections that have been historically afforded to American citizens via the U.S. Constitution.
One typical Nixon-inspired classic is 2007's Walking Tall: Lone Justice, starring Kevin Sorbo. It follows the usual Drug War plot in which a pious American renegade launches a Pyrrhic war against a South American drug-lord/scumbag. Of course, hero Nick Prescott never stops to think that America itself has created these drug lords by outlawing the medicinal plants of Mother Nature in the first place and then blackmailing governments around the world to do the same lest they lose America's financial support. Instead, we get the usual morality tale based on a false narrative: righteous no-nonsense American trashes the Bill of Rights in order to give a South American scumbag what's coming to him.
The plots of all such DEA-glorifying flicks take Nixon's crackdown as a morally justified "given" and then proceed to vividly demonstrate all the violence that predictably results from such a crackdown, i.e., the violence to be expected when we take away a citizen's right to freely access the medicinal benefits of Mother Nature. A sane viewer of the above-mentioned agitprop can only wish that Director Tripp Reed had had an epiphany during the movie's filming and yelled: "Cut! Guys, what are we thinking? The real villain of this piece is Richard friggin' Nixon, not some opportunistic entrepreneur who merely took advantage of the lucrative black-market economy that that idjit of a president single-handedly created out of whole cloth!"
Nixon single-handedly created a whole movie genre by outlawing psychoactive plant medicines. His ghost accepted the award as follows:
"Frankly, all I was trying to do was to punish hippies, especially Timothy Leary. I'd like to say that I had a new movie genre in mind, but that was really just 'so much gravy.' My main goal was to stop people from thinking outside the box with the help of psychedelics. The fact that I also was able to cause so much exciting bloodshed is a real bonus, though."
But say what you will, Richard Nixon created something else as well: i.e., a whole new genre of movies about foreign scumbags pursued by moral Americans. We might call it "the scumbag genre," for want of a better term.
But before Richard Nixon's political heirs step up to the podium to accept a posthumous Oscar on behalf of their movie-spawning forebear, let's be sure to accompany Nixon's Oscar with a multi-billion-dollar damage claim for all the lives that his War on Drugs has taken over the last half century. No one has yet calculated the full price tag for this carnage, but it has to be huge, since the Drug Policy Alliance reports 200,000 killed in Mexico's U.S.-inspired Drug War alone, and that figure just covers the period from 2006 to the present. Even as we speak, the fascist Duterte of the Philippines is working to beat that record, racking up 12,000 drug-war deaths in his country in the last three years alone (i.e., since 2016).
Let's not forget the millions of lives ruined yearly by arrests for mere possession of natural substances, a sort of pre-crime punishment used by the Drug Warrior to enforce Christian Science orthodoxy in America.
So hats off to Richard Nixon, the unsung hero of American cinema, whose crackdown on the rights of the individual resulted in a whole new exciting movie genre about Drug War "scumbags."
PS After the Academy gives this long-overdue recognition to Tricky Dick, they should consider awarding a second honorary Oscar to New York Congressman Francis Burton Harrison. Francis was the visionary politician who first decided that Americans could not be trusted to use naturally-occurring medicines as they saw fit. It's thanks to his tireless work in outlawing opium in 1914 that Americans gave up their right to Mother Nature's pharmacopeia in the first place, thus empowering anti-scientific conservatives like Richard Nixon to crack down further just a half century later, thereby creating a whole new genre of scumbag-busting movies that continue to triumph at the box office to this very day!
Drug War Movies
Hollywood supports the war on drugs by refusing to show wise use while always depicting drug use in the worst possible light. Like all media, they refuse to show beneficial use -- and if they're not depicting drugs as dangerous dead-ends, they're at least showing use to be frivolous and dangerous. The producers kowtow to drug warrior sensibilities.
NOW is the time for entheogens -- not (as Strassman and Pollan seem to think) at some future date when materialists have finally wrapped their minds around the potential usefulness of drugs that experientially teach compassion.
The Shipiba have learned to heal human beings physically, psychologically and spiritually with what they call "onanyati," plant allies and guides, such as Bobinsana, which "envelops seekers in a cocoon of love." You know: what the DEA would call "junk."
It's rich when Americans outlaw drugs and then insist that those drugs did not have much to offer in any case. It's like I took away your car and then told you that car ownership was overrated.
I passed a sign that says "Trust Trump." What does that mean? Trust him to crack down on his opposition using the U.S. Army? Or trust him not to do all the anti-American things that he's saying he's going to do.
Every time I see a psychiatrist, I feel like I'm playing a game of make-believe. We're both pretending that hundreds of demonized medicines do not exist and could be of no use whatsoever.
The "acceptable risk" for psychoactive drugs can only be decided by the user, based on what they prioritize in life. Science just assumes that all users should want to live forever, self-fulfilled or not.
Cop and detective shows are loaded with subtle drug war propaganda, including lines like, "She had a history of drug use, so..." The implication being that anyone who uses substances that politicians hate cannot be trusted.
Jim Hogshire described sleep cures that make physical withdrawal from opium close to pain-free. As for "psychological addiction," there are hundreds of elating drugs that could be used to keep the ex-user's mind from morbidly focusing on a drug whose use has become problematic for them.
There's a run of addiction movies out there, like "Craving!" wherein they actually personify addiction as a screaming skeleton. Funny, drug warriors never call for a Manhattan Project to end addiction. Addiction is their golden goose.
In "How to Change Your Mind," Michael Pollan says psychedelic legalization would endanger young people. What? Prohibition forces users to decide for themselves which mushrooms are toxic, or to risk buying contaminated product. And that's safe, Michael?
Buy the Drug War Comic Book by the Drug War Philosopher Brian Quass, featuring 150 hilarious op-ed pics about America's disgraceful war on Americans
You have been reading an article entitled, Why Hollywood Owes Richard Nixon an Oscar published on February 27, 2019 on AbolishTheDEA.com. For more information about America's disgraceful drug war, which is anti-patient, anti-minority, anti-scientific, anti-mother nature, imperialistic, the establishment of the Christian Science religion, a violation of the natural law upon which America was founded, and a childish and counterproductive way of looking at the world, one which causes all of the problems that it purports to solve, and then some, visit the drug war philosopher, at abolishTheDEA.com. (philosopher's bio; go to top of this page)
ollywood owes Richard Nixon a posthumous Oscar. If the 37th president of the United States had not launched a paramilitary crackdown on the use of naturally-occurring substances in the early '70s, we would have no movies like the following:
You have been reading an article entitled, Why Hollywood Owes Richard Nixon an Oscar published on February 27, 2019 on AbolishTheDEA.com. For more information about America's disgraceful drug war, which is anti-patient, anti-minority, anti-scientific, anti-mother nature, imperialistic, the establishment of the Christian Science religion, a violation of the natural law upon which America was founded, and a childish and counterproductive way of looking at the world, one which causes all of the problems that it purports to solve, and then some, visit the drug war philosopher, at abolishTheDEA.com. (philosopher's bio; go to top of this page)
