ollywood owes Richard Nixon a posthumous Oscar. If the 37th president of the United States had not launched a paramilitary crackdown on the use of naturally-occurring substances in the early '70s, we would have no movies like the following:
American Gangster, Asian Connection, Bobby Z, Clockers, Cocaine Cowboys, Empire, L.A. Wars, Marked for Death, Scarface, Rush, etc. etc. - just add the "bullet-riddled" movie of your choice, especially those that focus on South American "scumbags" and their American nemeses, namely, those no-nonsense cops who openly laugh at the whole idea of due process and the other high-falutin legal protections that have been historically afforded to American citizens via the U.S. Constitution.
One typical Nixon-inspired classic is 2007's Walking Tall: Lone Justice, starring Kevin Sorbo. It follows the usual Drug War plot in which a pious American renegade launches a Pyrrhic war against a South American drug-lord/scumbag. Of course, hero Nick Prescott never stops to think that America itself has created these drug lords by outlawing the medicinal plants of Mother Nature in the first place and then blackmailing governments around the world to do the same lest they lose America's financial support. Instead, we get the usual morality tale based on a false narrative: righteous no-nonsense American trashes the Bill of Rights in order to give a South American scumbag what's coming to him.
The plots of all such DEA-glorifying flicks take Nixon's crackdown as a morally justified "given" and then proceed to vividly demonstrate all the violence that predictably results from such a crackdown, i.e., the violence to be expected when we take away a citizen's right to freely access the medicinal benefits of Mother Nature. A sane viewer of the above-mentioned agitprop can only wish that Director Tripp Reed had had an epiphany during the movie's filming and yelled: "Cut! Guys, what are we thinking? The real villain of this piece is Richard friggin' Nixon, not some opportunistic entrepreneur who merely took advantage of the lucrative black-market economy that that idjit of a president single-handedly created out of whole cloth!"
Nixon single-handedly created a whole movie genre by outlawing psychoactive plant medicines. His ghost accepted the award as follows:
"Frankly, all I was trying to do was to punish hippies, especially Timothy Leary. I'd like to say that I had a new movie genre in mind, but that was really just 'so much gravy.' My main goal was to stop people from thinking outside the box with the help of psychedelics. The fact that I also was able to cause so much exciting bloodshed is a real bonus, though."
But say what you will, Richard Nixon created something else as well: i.e., a whole new genre of movies about foreign scumbags pursued by moral Americans. We might call it "the scumbag genre," for want of a better term.
But before Richard Nixon's political heirs step up to the podium to accept a posthumous Oscar on behalf of their movie-spawning forebear, let's be sure to accompany Nixon's Oscar with a multi-billion-dollar damage claim for all the lives that his War on Drugs has taken over the last half century. No one has yet calculated the full price tag for this carnage, but it has to be huge, since the Drug Policy Alliance reports 200,000 killed in Mexico's U.S.-inspired Drug War alone, and that figure just covers the period from 2006 to the present. Even as we speak, the fascist Duterte of the Philippines is working to beat that record, racking up 12,000 drug-war deaths in his country in the last three years alone (i.e., since 2016).
Let's not forget the millions of lives ruined yearly by arrests for mere possession of natural substances, a sort of pre-crime punishment used by the Drug Warrior to enforce Christian Science orthodoxy in America.
So hats off to Richard Nixon, the unsung hero of American cinema, whose crackdown on the rights of the individual resulted in a whole new exciting movie genre about Drug War "scumbags."
PS After the Academy gives this long-overdue recognition to Tricky Dick, they should consider awarding a second honorary Oscar to New York Congressman Francis Burton Harrison. Francis was the visionary politician who first decided that Americans could not be trusted to use naturally-occurring medicines as they saw fit. It's thanks to his tireless work in outlawing opium in 1914 that Americans gave up their right to Mother Nature's pharmacopeia in the first place, thus empowering anti-scientific conservatives like Richard Nixon to crack down further just a half century later, thereby creating a whole new genre of scumbag-busting movies that continue to triumph at the box office to this very day!
Drug War Movies
Hollywood supports the war on drugs by refusing to show wise use while always depicting drug use in the worst possible light. Like all media, they refuse to show beneficial use -- and if they're not depicting drugs as dangerous dead-ends, they're at least showing use to be frivolous and dangerous. The producers kowtow to drug warrior sensibilities.
We westerners have "just said no" to pain relief, mood elevation and religious insight.
When folks die in horse-related accidents, we need to be asking: who sold the victim the horse? We've got to crack down on folks who peddle this junk -- and ban books like Black Beauty that glamorize horse use.
They still don't seem to get it. The drug war is a whole wrong way of looking at the world. It tells us that substances can be judged "up" or "down," which is anti-scientific and blinds us to endless beneficial uses.
"Users" can be kept out of the workforce by the extrajudicial process of drug testing; they can have their baby taken from them, their house, their property -- all because they do not share the intoxiphobic attitude of America.
All drugs have positive uses at some dose, for some reason, at some time -- but prohibitionists have the absurd idea that drugs can be voted up or down. This anti-scientific notion deprives the modern world of countless godsends.
People say shrooms should not be used by those with a history of "mental illness." But that's one of the greatest potential benefits of shrooms! (They cured Stamets' teenage stuttering.) Some folks place safety first, but if I did that, I'd die long before using mother nature.
The FDA says that MindMed's LSD drug works. But this is the agency that has not been able to decide for decades now if coca "works," or if laughing gas "works." It's not just science going on at the FDA, it's materialist presuppositions about what constitutes evidence.
Anyone who has read Pihkal by Alexander Shulgin knows that the drug warriors have it exactly backwards. Drugs are our friends. We need to find safe ways to use them to improve ourselves psychologically, spiritually and mentally.
The December Scientific American features a story called "The New Nuclear Age," about a trillion-dollar plan to add 100s of ICBM's to 5 states, which an SA editorial calls "kick me" signs. This Neanderthal plan comes from pols who think that compassion-boosting drugs are evil!
It also bothers me that gun fanatics support the drug war. If I have no rights to mother nature, then they have no rights to guns. If the Fourth Amendment can be ignored based on lies and ignorance, then so can the Second.
Buy the Drug War Comic Book by the Drug War Philosopher Brian Quass, featuring 150 hilarious op-ed pics about America's disgraceful war on Americans
You have been reading an article entitled, Why Hollywood Owes Richard Nixon an Oscar published on February 27, 2019 on AbolishTheDEA.com. For more information about America's disgraceful drug war, which is anti-patient, anti-minority, anti-scientific, anti-mother nature, imperialistic, the establishment of the Christian Science religion, a violation of the natural law upon which America was founded, and a childish and counterproductive way of looking at the world, one which causes all of the problems that it purports to solve, and then some, visit the drug war philosopher, at abolishTheDEA.com. (philosopher's bio; go to top of this page)